20 Years Worth in 2 Minutes.

For 20 years, I have run TWIST, a design firm, then brand firm and now a brand agency. When we started, my wife, Connie, was the sole designer and I was the sole writer. I managed clients and developed strategies and concepts, while Connie built the visual vocabulary. We presented together and split the duties of account services – based on their more emotional (Connie as account executive) or logical (me as account executive) leanings. Starting an agency with one room, a beige Mac and a one page-per-minute inkjet printer, then growing it through back-to-back recessions taught us a lot of business lessons, life lessons and patience.

The thing to understand about any agency is that in the world of business-to-business services, we are an oddity. Do you equate us to your law firm or your accounting firm? Well, I say “yes” and I say “no.” Yes, we are as essential to your business as those professionals, but no, we are nothing like them.

Here’s the difference: lawyers and accountants play defense. As your agency, we play offense. Culturally, this idea dictates a lot about how I think about TWIST. This “all-offense” style of thinking has generated a lot of breakthroughs and plenty of challenges.

Here is how I deal with some of those challenges:

1. Think inside the box too.

While we think intensely about bold moves, vision and innovation, we (creative service professionals) always need to filter ideas through business objectives and what we, at TWIST, call “in-the-box thinking.”

Every other day, I am in a meeting where someone says they are looking for “out-of-the-box” ideas. I am a writer first and everything else (professionally) second, so I take words seriously. What does “out-of-the-box” mean? To me, it seems like a ridiculous request. We create ideas that advance business objectives and in vision those things are sometimes outrageous, but they should never be uncontained, unmeasured and ultimately unusable (by professional advertising standards).

At TWIST, we are problem solvers and all problem solvers work inside a box. In the agency world, the box is defined by the parameters of time, budget, staff capacity and risk tolerance. The best, most creative and certainly most effective work lives inside that box.

2. Don’t get any on you; they hired you to do what they can’t.

I try to insulate our team from external politics, committees and corporate think. We exist as an agency to move a business, a cause or a conversation forward. If the company that hired us was able to do that themselves, then they would.

They can’t. That is why I remind our team “don’t get any on you;” meaning yes listen, yes observe but remain an outsider. This is the best vantage point to innovate. It’s our job to ask, “Why?” We are contrarians and that’s good.

3. Candor is what makes creativity go faster, better and smarter.

Wake up. Creativity compromised is not going to get the job done.

Ours is not a contemplative age. It is the age of right now. Business is aggressive; those of us who remain are the wolves. We are the survivors of one of the most challenging times for American capitalism and for advertising. The work we do leaves our caress and enters into a harsh world of digital clutter where the human attention span has been whittled down to less than ten seconds (and ticking away with every smartphone upgrade).

Before I lose your attention, when it comes to your business dealings I recommend you be direct, concise and candid. None of us have the capacity for anything more (or is it less?).

4. Most of your value cannot be seen on a spreadsheet. Never let a number dictate your worth.

Abilities like intuition, interpretation and emotional intelligence are assets that make my accountant cock his head in confusion. They don’t show up on the spreadsheet.

Back-to-back recessions taught me how and when to say “fuck it.” Our business is about doing what others say cannot be done. It’s about new, it’s about change and it’s about knowing it when you see it. If you are good at that, then get a great accountant and remember the bad numbers tell you to quit. Never quit. The good numbers tell you to rest. Never rest.

5. Embrace the silence.

In a time of instant gratification we all feel compelled to answer now—don’t. Instead wait, pause, withhold. If you are in a meeting, especially in a negotiation of any kind, be quiet. Allow the other party to speak. If you are patient they will reveal themselves and the answers you need. Quiet is powerful. It’s an important aspect of creativity. Groupthink doesn’t necessarily make for great think.

6. Professionalism still matters. Conduct business ethically, even if others do not.

When we started TWIST, I set out to do everything right – every client, every idea, every time. I had a moral compass and was rigid. Experience, time or the world wants to take that away from you, but hold on to it because it really does matter. There is the way business is and the way it should be. Hold people to what it should be.

Your professionalism is what clients pay for. Uncompromising values or morals are what talent sticks with. I do what I can to remind myself of the ideal vision for our culture and the client experience. It is the one thing we got right, right off the bat.

7. Pick up the phone already.

A conversation is worth a thousand emails.

The best use of email for complex business correspondence is simply to set a time for a call or a face-to-face conversation. Email is great for quick, get-it-done correspondence, but I have seen misinterpreted emails explode into devastating, business-killing moments.

It’s important to leverage telephone communication for day-to-day and face-to-face for conflict resolution. My father, himself a retired CEO, has always told me not to put anything in an email that I would not want read in court. Every time I have strayed from this tenet, I have found myself in trouble and saying I could have avoided it with a two-and-a-half minute call.

8. There will be fat times and lean times, learn to manage them.

When you are working impossible hours without rest, something magical happens, you complete a lot of work. Suddenly, everyone looks up at you and says what’s next? Don’t panic, business has natural cycles. Whatever your business, it would behoove you to do some pattern recognition and slot in some self-care during those less hectic times. Take the opportunity to retool, sharpen your sword or whatever in order to get prepped for what’s next.

9. Take risks to grow as long as you cannot classify them as foolish

It’s exciting and frustrating. Entrepreneurs have vision and can see the business one year from today and ten years from today. Sometimes the vision is clear, but just because the destination is in view doesn’t mean you have arrived. Take great leaps, make great hires, pursue big opportunities, but find your filter. Mine is—don’t be foolish.

10. Only show your best!

If you are going for an agency position or securing a new account, only show your best work. Less is absolutely more. We won’t miss what you don’t show us. Separate what you like from what clearly communicates your capabilities—no renderings, no incompletes. This business is a show, it’s a song and dance reel, a case study. Amazing photography, design and breakthrough copy. That’s what sells.

TWIST Honored with 20 ADDY Awards

The American Advertising Federation of Cleveland presented TWIST Creative, Inc. with 20 ADDY awards last night at the 2014 ADDY Awards Show. We’re proud to announce we won three Gold, six Silver and 11 Bronze awards.

TWIST received the second highest number of the total ADDYs awarded, just ten fewer than Cleveland’s largest advertising agency. “With a creative team of advertising, design and public relations experts, our agency took home ADDYs for more than 65 percent of our entries,” said Charlene Coughlin, Director of Account Services and AAF Vice President of Membership and ADDYs Co-Chair.

“We’re well aware of the company we keep,” said Chief Design Officer Connie Ozan. She and husband, Michael, founded TWIST 15 years ago. “We’re constantly up against amazing talent. Receiving an award from any organization, on any level, is a tremendous acknowledgement to our team, our work and our clients,” said Michael Ozan, President & Chief Creative Officer.

Our Gold and Silver award-winning work will be entered in the District 5 ADDY competition.

We’d like to thank our clients for the opportunity to create the work below and for their teamwork during the process. We believe great relationships produce great work.

TWIST celebrates the following awards:

Gold
Integrated Campaign, Consumer Local
Black Powder Tavern Campaign, Select Restaurants

Elements of Advertising, Visual, Logo
St. Ignatius Seal, St. Ignatius High School

Elements of Advertising, Visual , Photography Campaign
Black Powder Tavern Photography, Select Restaurants

Silver
Sales Promotion, Product or Service Sales Presentation, Catalog
Arhaus Catalog, Arhaus

Out-of-Home, Site, Exterior Still or Static
Tri-C Campaign Out of Home, Cuyahoga Community College

Out-of-Home, Campaign
Tri-C Campaign – Out of Home, Cuyahoga Community College

Consumer or Trade Publication, Campaign, Four-Color
Black Powder Publication Campaign, Select Restaurants

Consumer of Trade Publication, Campaign, Four-Color
Tri-C Campaign – Out of Home, Cuyahoga Community College

Elements of Advertising, Visual, Illustration Campaign
Arhaus Illustrations, Arhaus

Bronze
Collateral Material, Stationery Package
Storm Copper Components

Consumer or Trade Publication, Campaign, Four-Color
Creativity for Kids Campaign

Digital Advertising
Tri-C Digital Campaign

Television (TV) Local (one DMA) Campaign
Cleveland Indians 2014 Campaign

Integrated Campaigns, B-to-B Local
BOMA Cleveland Campaign

Integrated Campaigns, Consumer Local
Cleveland Indians 2014 Season Campaign

Integrated Campaigns, Consumer, Regional/National
Creativity for Kids Creativity Can Campaign

Elements of Advertising, Copywriting
Cleveland Indians – “This Uniform Is A Promise” Campaign

Elements of Advertising, Visual, Photography Campaign
BOMA Cleveland Photography

Elements of Advertising, Visual, Photography Campaign
Cleveland Indians Photography

Elements of Advertising, Visual, Photography Campaign
Oliver Printing Photography

#TBT – Fearless Thinkers featured in Crain’s

April 27, 2014,

Crain’s Cleveland featured TWIST’s brand documentation assignment by the Cleveland Indians

 

Crain’s reported it was the team’s first external branding agency partner in more than five years.

“To earn the Tribe’s trust, and some of its advertising budget, Twist Creative appealed to the team’s — and the city’s — roots.

“‘Cleveland as a city has really evolved and has really connected people with its determination and personality,’ said Mike Ozan, who founded Twist with his wife, Connie, in 2000. “‘We very much thought it was important to connect the team to that same sentiment. That determination, we all feel it and love it.'”

See the rest of the campaign

Read the full article here: Brand Agency Puts Its Twist on the Cleveland Indians’ Roots

CLE – Thinking Like a Design Capital

A $225k art project splashes rainbow hues on Norfolk-Southern Bridge at the intersection of Euclid and East 55th.

Some things are worth the wait. We are so excited to see our re-imagined Cleveland Health-Tech Corridor “Gateway” finally come to life. We designed this bridge as part of the identity package and brand we created for the corridor five years ago. Thanks City of Cleveland and Cleveland City Hall for believing in the power of design.

 

Read the Cleveland.com article

Read the full Case Study

 

Great Relationships & Great Work: Nike & Wieden+Kennedy

Whenever you see great creative work from a brand (no matter size), there has to be a great relationship behind it. A great relationship doesn’t automatically mean the agency and client agree on everything. It doesn’t mean that the agency does exactly what the client asks. Sometimes it means the two sides disagree. Sometimes it means pushing the other side outside of their comfort zone (and that can go either way – not just the agency pushing the client).

In my opinion, no brand and agency understands that relationship better than Nike and Wieden+Kennedy. In their storied 35+ year relationship, the brand and agency have produced countless memorable campaigns featuring Michael Jordan, Charles Barkley, Maria Sharapova, LeBron James and most recently, Serena Williams.

On Labor Day at about 3pm, we once again saw that great relationship bring out some of the best advertising of the past decade. In celebration of the 30th anniversary of the “Just Do It” campaign, the brand and ad agency took a step forward, and in many people’s opinion (mine included), took a step on the right side of history. Instead of standing with the NFL – the week the season begins – Nike paid Colin Kaepernick (financial information not yet released however, it is known that Kaepernick will have his own line of shoes, clothing and be an endorsed athlete) and featured him as one of the key elements of the “Just do it” campaign. Nike, the uniform provider of the NFL, took a stand. It stood with a player that so many, including the NFL and the NFL owners, refuse to stand by.

Within minutes, it felt like everyone on Twitter, Facebook, Instagram and across all news channels were talking about the fact that Nike, a major corporation, was celebrating their “Just Do It” campaign by featuring an athlete that has had a major impact on social injustice – taking a stand against his own employer for what he believed to be the right decision. Like the line in his ad says, sometimes you have to sacrifice when you believe in something. Will some Nike customers turn their back on the brand? According to social media on Monday and Tuesday, yes. But has Nike lived up to that line in their campaign? Absolutely.

Would it have been easy to pick another athlete to feature in the campaign? Sure. Nike has plenty to choose from. But would it have made the impact that it needed to make? Would it have lived up to the brand’s standards and values? Would it have taken a stance on a topic that everyone has an opinion on?

This campaign is about more than being an athlete – it’s about being a human.

Each featured athlete has their own story – whether about standing against social injustice or being a girl from Compton that no one expected to be one of the greatest athletes of all time. While only a few of the ads have been released, the brand has said that more will be coming which will feature LeBron James, Lacey Baker and more.

At the end of the day, we (right now) have no idea if this idea was led by the client or by the agency but we shouldn’t be surprised either way. This is a brand not afraid of taking a stance and this is an agency that is used to pushing the envelope and doing what they feel is right (see Donald Trump BS Food Truck and the agency’s statement on Black Lives Matter). The great relationship, the two teams working together, pushes their work and each of their brands.

Agencies – as you sit with your clients in the upcoming weeks – maybe in status meetings, maybe in planning sessions for 2019 or a creative review – think about how you can grow the relationship. I don’t mean taking your client out for to an NFL or NBA game, or out for cocktails. I mean, how can you live their brand with them? How can you push their organization’s values? How can you push your own agency’s values?

And clients, as you sit with your agency, think about what you want from them. What is the business objective? What is a problem that you have been trying to solve with your internal teams? Maybe it’s not a marketing or advertising problem – that doesn’t mean you can’t, or shouldn’t, talk to your agency about it. What’s the mission of your company that you want everyone to know about?

Have that open dialogue. Create together – not apart. Develop work that you are both proud of and that means something to both sides. Let that great relationship lead to great work.

Images c/o Nike

Opulence

“Opulence” – grandeur, luxury, beauty and fine details.  As a designer and trend aficionado, I’m seeing opulence making its way back into fashion, interiors, design, advertising and entertainment. Beautifully handcrafted crown moldings juxtaposed to clean lines in cabinetry and countertops are the new look in kitchens for 2018. Gorgeous shades of metallic gold are being introduced everywhere in interior finishes as well printing techniques. Shiny and matte gold tones can be found from a simple desk lamp, to faucet designs and gold foil stamping in print. Opulence isn’t just about the grandeur, it’s about making dreams and fantasies come alive. Romantic florals and magical birds will be adorning the walls of homes this year in new wallpapers and murals.

As far as entertainment and advertising, who can get enough of “The Crown” on Netflix or “The Phantom Thread” with Daniel Day Louis?  As Americans, we are mesmerized by dressing the Royal family and seeing their palatial estates. Gowns, robust colors, jewels, ornate gilded furniture and even the British accent. It is truly magical. Even corporations like Culligan Water are adding magic in their new advertising campaign “As You Wish”… created by Fallon.

Inconceivable! Culligan Man Takes Backseat To Princess Bride’s Cary Elwes
By Adrianne Pasquarelli. Published on January 05, 2018.

So ladies, open up your jewelry box, because more really is more. Don’t be afraid to wear those oversized glam earrings with a simple t-shirt and ripped jeans. Why shouldn’t YOU feel like a queen? As designers, artists and like-minded creatives, we just can’t help but admire and love these timeless qualities.

 

 

 

 


 

 

Sources:
Entertainment and Advertising:

https://adage.com/article/cmo-strategy/culligan-man-takes-backseat-princess-bride-s-cary-elwes/311831/

Home:

https://www.nytimes.com/2017/10/23/movies/paul-thomas-anderson-daniel-day-lewis-phantom-thread-trailer.html

https://klimbims.deviantart.com/art/Queen-Elizabeth-II-489339421

Fashion:

https://www.harpersbazaar.com/fashion/trends/g12178454/spring-2018-jewelry-trends/?slide=6

Interior Design:

https://www.bykoket.com/news/interior-design/color-trends-2018-predictions-pantone

https://www.stylelibrary.com/shop/wallpaper/arden-wallpapers-by-melissa-white/verdure/?code=ZAMW310430

https://www.stylelibrary.com/shop/wallpaper/phaedra-wallpapers/

ashleytstark (instagram)

Print:

https://www.kkrogh.dk/products

 

 

This is what advertising looks like now

Diet Coke’s “Because I Can” Campaign Drops a Generational Mile Marker During The Big Game.

At TWIST, we tell our clients that there are three things a successful brand does: instill confidence, impact culture and inspire devotion. Achieving all three is a transcendent moment for a brand. It is the moment when a brand stops being seen for its products and becomes part of an individual’s identity. That type of deeply sophisticated connection with consumers can capture the type of market leadership that lasts for an entire generation.

No brand does it as well as Coke. Sure, Apple. Yes, Tesla. OK, Google. But most of the remarkable and influential brands you can name offer a product with a tangible benefit and/or they are companies whose innovations solve a problem. Think about it, there is no benefit of soda. Soda doesn’t solve a problem. Soda’s only key benefit is the way you feel about yourself when you drink it and that requires an amazing brand experience.

Coca Cola - Hilltop

 

Coca-Cola mainstreamed the “Me Generation” (baby boomers), and now they have done the same for “Generation Me,” (millennial).

Those of us who are not digital natives remember (or think we remember because we watched Mad Men) the famous Hilltop Coca-Cola tv ad. That ad, with its line “I’d like to buy the world a Coke and keep it company” at that time set the tone for a generation. That youth movement was called the “me generation” and it was all about personal development and individual growth. It was anti-establishment. And while its values were panned by mainstream polite society as selfish, it really was a movement of inclusion and unity. It was advertisers like Coca-Cola who recognized its importance and influence, and they were one of the first to take these new consumers seriously. (See the “impact culture” moment.)

Coca Cola - Because I Can

“Because I Can” Diet Coke delivers a Hilltop ad for our times and man, have times changed.

We are “re-energizing and modernizing Diet Coke for a new generation of drinkers.” The Coca-Cola Co stated in a news release upon the January 10th launch of a reimagined Diet Coke line-up. New can shape, new can design and four new flavors plus the original. Coke tapped U.K.-based design shop Kenyon Weston to do the can redesign and Wieden & Kennedy, authors of “Just Do It” created the new campaign. 

The new “Because I Can” campaign is a series of five fifteen second films the first starring Actress Gillian Jacobs, best known for her roles in the NBC sitcom “Community” and the Netflix romantic comedy series “Love,”. The other spots star other up and coming millennial actors. In the spot, Gillian grabs a Diet Coke from a corner store before walking along a sidewalk and offering viewers a straight-into-the-camera invitation to do what makes them happy.

 

https://youtu.be/LnZnSumfIlE

 

“If you’re in the mood for a Diet Coke, have a Diet Coke,” she says.

What?! I’m 47, so the first time I saw this it angered me. The series of portraits of millennials with their “Whatever” attitude about life and kind of defiant lack of enthusiasm for the product they are supposed to be persuading me to purchase, really angered me. It made me want to yell at them “this is your job, take it seriously.” Then I thought more deeply about their life experience, they were raised on un-produced YouTube videos, not glossy sitcoms. They grew up with the internet so even though they are young they have been exposed to every sales pitch there is.

 

https://youtu.be/uAt04_1nH-o

“Bridesmaids” director delivers the authenticity required for success

It makes sense that these portraits of young adults and their sleek skinny Skittle/vape flavored soft drinks are stripped down. The approach is painstakingly authentic and like them or not, these are consumers who are comfortable in their own skin. These portrayls owe their “easy on the eyes” vibe to the skilled hand of director Paul Feig, known for the TV series “Freaks and Geeks,” as well as movies including “Bridesmaids” and the 2016 “Ghostbusters” reboot, they are full of subtle and quiet nuance. 

“Because I Can” is what Advertising Looks like in its highest form, as art.

I also have to comment on the soft, subtle and thoughtful color palettes used in styling these spots. Each product flavor is so well complemented by wardrobe, propping and set design which is just the right blend of quirk, kitsch and color.

If it feels good, do it, because we’re over it. The “impact culture” moment.

If you employ millennials and find yourself confused, frustrated and even at times angered by them, you should watch these spots and reflect on them. This is the emerging American consumer, these are tomorrow’s entrepreneurs, CEOs. They are telling us that we, as a society, have reached a moment where we feel so comfortable, provided for and confident that we can casually move from one experience to another. That we have an unlimited amount of choice and that we, as a society have evolved (from their perspective) to a moment of not heightened but lessened awareness. These guys are over it.

In fifteen seconds, the new Diet Coke campaign redefines the standards of the conversation between brand and consumer. If you plan on selling anything in the next twenty years you need to understand this or be ready to hire someone who does.

 

https://youtu.be/YdculGfAuPI

https://youtu.be/FAkGdfAE8PE

https://youtu.be/Vuwsr1xlI_k

 

 

The Big Game Advertising Guide – Women’s Edition

Men Are Watching, But Women Are the Real Audience

It’s more than just making sure you have a party to attend. Brands today are doing more and more on the second screen than what you may see on your main TV while watching the game. To have the true Big Game advertising experience, you need to be prepared with not just your main screen for the game….you need to make sure you are watching the online experiences. And let’s be honest, if you are a Browns fan like I am, you may be more interested in the ads than the game itself (though as a Tom Brady fan, I’m all in with the Patriots).

You may ask yourself – why do brands spend so much money, and time, on an ad that lasts somewhere between :15-90 seconds during The Big Game? Let’s say a brand is ready to spend $5 million for thirty seconds during The Big Game. All advertisers and their agencies approach this from the perspective of not just the ad, but the momentum and cache created by the event, which if done correctly, propel and add to the overall spend.

From a long-term benefit, the minute a brand starts leaking their spot (whether that be on a social platform or YouTube, etc.) they continue to get value from the spot being seen by a large audience. Add in the fact that people talk about The Big Game ads on social for days after, as well as in-person, and you are continuing to increase your impressions and potential engagement with your audience.

The Big Game is an opportunity to establish, reset or remind a large audience – and by large audience, we’re talking over 114 million people – about the brand, values, features or benefits. It could even be the first time an audience has heard of your brand. And unlike other ad placements, you can reach a wide audience – women, men, all ages, enjoy watching The Big Game for both the game and the advertising. Speaking of women, for most of us, it’s about more than just the game.

Here is what we know about female viewership of the game

Eighty percent of women say they plan on watching the game and nearly 100% of those 80% say they watch The Big Game with this order of priority of importance and interest:

Female Viewership Priority

  1. She watches for the commercials
  2. She watches for the social aspect in person and on social media
  3. She watches for the half-time show
  4. She watches for the action on the field

Let’s say, like me, you are more in it for the commercials, Justin Timberlake and of course, the social aspect. If that’s the case, you need to plan ahead when it comes to The Big Game. Here are a few helpful hints as you plan for Sunday (whether you are watching for the game, JT, the advertising, or…well…This Is Us.)

To Do List:

  1. Ensure that you are fed and ready for The Big Game. This is a marathon – not a sprint. (Not to mention, This is Us, will be on right after The Big Game.)
  2. Stay properly hydrated (beer, wine, water – your pick).
  3. Have all devices charged and ready to go. In fact, have multiple devices. You don’t want to risk a battery dying mid-tweet. I also have multiple accounts that I’ll be tweeting from so I like to keep one account on my cell and another on my laptop.
  4. Know who is advertising and when. My go-to resource? AdWeek and AdAge’s Big Game previews.
  5. Check out your favorite Brand’s Twitter, Instagram and Snapchat accounts pre-game to see what’s happening on digital, as well as on your main screen. (Case in point: last year Tide was active all day on social media, as well as used the pre-show as an opportunity to grab the attention of viewers.)
  6. Know the correct hashtags. We suggest: #AdBowl #BrandBowl52
  7. Follow along with other accounts that are tweeting. We think that @TWISTtweets is a pretty great one to join along with during the conversation.

The Importance of Simplicity in Outdoor Design

Outdoor advertising can be extremely powerful for some brands and can attract many eyeballs to your product or initiative, if executed properly. 

Even though you may think a billboard is larger than life, when Average Joe is driving down the highway at 65 miles per hour, you will be lucky if he reads five words on your billboard or recognizes your brand, let alone sees your web url, phone number or the all important tagline you had to cram into the corner of the billboard. Even if the text size is 24 inches tall, the distance and speed at which your target is traveling will essentially render your investment worthless.

Blog Graphic

The art and science of designing a billboard that is effective is really not that complicated. The basic rules are:

– Seven words or less (keep it concise)

– Readable font choices (consider display faces that are built for large scale usage)

– Simple photo or graphics that support your message

– Bold colors and high contrast

– Be memorable, break through the clutter

All of this is really just about the utility of a billboard design. Clever optical illusions, shocking images or messages, or elements that break the boundary of the board are tools that can also aid capturing eyeballs.

It takes great creative to get noticed, something really special that attracts attention and reaches your goal. But remember that billboards are just a part of your brands overall story, you don’t have to say everything is this small space, you just have to say the right thing. Keep it simple.

Below are a few examples that we love.


Images are sourced from: dailybillboardblog.com, jasoninhollywood.blogspot.com, Anthony Quintano Flickr Page, designspiration.net, Hongkiat.com, yllcn.com, adsoftheworld.com, Patricia Rodriguez, funny-billboards.blogspot.com

CURIOSITY COUNTS

(That’s why we made the billboards.)

Today the average American consumer is interrupted by upwards of 3000 advertising messages everyday. That’s an enormous amount of information, so much so, that we tend to blanketly reject most messages. But we at TWIST believe that good advertising is a conversation and any good conversation needs a conversation starter.

“Consumers haven’t lost interest, it’s advertisers who start every conversation with an ‘overshare’ that is rejected at first blush. These billboards are a mental palate cleanser. They let the viewer be confused, they let them become curious.”

– Michael Ozan, TWIST CEO.

So if you’re here then you are curious. Right?

The billboards are designed to exhibit the idea that if you want to have a conversation with an audience you have to start it and you should start it elegantly with taste, wonder and mystique. There is no better role for outdoor billboards than sparking an interest and simply suggesting a “want.”

Please aid us in our experiment. Answer the questions below and help us keep the conversation moving forward.

If we can demonstrate the real power of simplicity and suggestion then maybe we can begin to declutter both the physical and digital over-messaged landscape.

LAMAR - Graphic Blog Post

 

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